Erin Dage

On the Rise: Tony Molina

Teenage Fanclub-inspired pop from a Bay Area hardcore veteran

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Hedonistic breakdowns and riffs similar to Thin Lizzy? Check. Songwriting and vocal delivery reminiscent of Guided by Voices and Weezer? Double check. These traits (along with a few other things) are what make for the musical genetic makeup of Tony Molina's bedroom pop solo project.Read more »

Bleached brings the sunshine at the Rickshaw Stop

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It's no question that Bleached has come into success within the past year with the release of its debut album, Ride Your Heart, on record label Dead Oceans. But how does the band gauge its success? By a younger man sneaking into their green room, which apparently didn’t happen the last time Bleached played San Francisco.Read more »

Real Estate indulges the fans — in a good way — at the Independent

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So this New Jersey-based band called Real Estate came to San Francisco this weekend to play two sold-out shows for Noise Pop at the Independent. The lighting and stage design was spectacular. The opening bands were superb. The venue was excellent.Read more »

BARF-y, in a good way: Bay Area record labels draw a cattle drive of local music lovers

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On Saturday, the first annual Bay Area Record Label Fair (BARF) was born. As a labor of love between Father/Daughter Records and local promoters, Professional Fans, the event set out to be an ode to the ingenuity and entrepreneurial efforts of record labels in the Bay. Read more »

Mathematical!

After 15 years, Aquarius Records co-owner Andee Connors revives classic math rock band A Minor Forest

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arts@sfbg.com

MUSIC To locals, Andee Connors is perhaps best known as the longtime co-owner of Aquarius Records, an independent record shop in the Mission. Aquarius, which specializes in obscure underground releases, is a landmark vinyl provider in SF that first opened its doors in 1970 to a group of stoners in the Castro, as the story goes.

Connors began working at aQ in 1994 (the shop by then long settled in the Mission), and became co-owner a decade ago. These days, he can still be seen behind the counter.Read more »

Perma-teens

Garage rock pioneers the Sonics return on a wave of Total Trash

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arts@sfbg.com

MUSIC It's entirely debatable what year this current wave of the garage rock revival broke out.Read more »

Thee Oh Sees, OBN III's, and more shake up the Chapel

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Once (three years ago) I broke my wrist at a Thee Oh Sees show, and despite the gnawing pain from my misshapen wrist, I stayed to watch the rest of the set.

You see, you just don’t leave a Thee Oh Sees show early. It is a band you experience, because it’s not that often that you get the chance to see a band that enjoys what it's doing quite so much, and may just want to pull you into the hectic fun.

My most recent encounter with Thee Oh Sees was last Thursday at the Chapel; the band was kicking off its sold-out, three-night residency with spooky electronic act Fryborg, proto-punk worshippers OBN III's and precise psych-rock band the Blind Shake. Read more »

Oakland's Negative Standards support future punks

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The band Negative Standards is essentially a crust art project.

While maintaining d-beat chords and sludge-like breakdowns, the Oakland-based group makes use of non-instrumental noise and videos created by the band’s bassist, Will, during shows.

And as a quartet that blends elements of crust, doom metal, and noise; Negative Standards sticks out like a sore thumb in the endless sea of fellow crusty brethren and fuzzy lo-fi that exists in the East Bay. Read more »

On its fifth anniversary, Sunday Streets offers a lesson in urban experimentation

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It’s hard to believe that Sunday Streets -- San Francisco’s version of the ciclovia, or temporary closure of streets to cars as a way of opening up more urban space for pedestrians, cyclists, skaters, performers, and loungers -- is five years old. It’s even harder to believe that this family-friendly event was once controversial, especially feared by the businesses that now clamor to hold them in their neighborhoods.Read more »

Bugging out

The Urinals started off as artists, and ended up musicians

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MUSIC As Urinals folklore goes, the band was formed in 1978 by a group of five UCLA students looking to have a spot in their dorm talent show. Guitarist and vocalist John Talley-Jones recalls the band's earnest beginnings as an experiment that evolved into something much more. "We were in film school, not approaching it as musicians, but as conceptual artists," Talley-Jones says. "It was an experiment to see if you put five people with limited music in a room and see what they can do with one quasi guitarist. Read more »